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Guitar Greats
by Univideit Gauitin
http://www.guitarsuniverse.com

Mutual agreement on greatness could be very subjective.
Individual choices may vary if one tries to compile a list
of guitar legends. Different people would have different
yardsticks of greatness per season. But an attempt to make
a list would be quite interesting.

Many connoisseurs consider Robert Johnson, the blues
guitarist, great. He started as an average guitarist but
became great in a period of just one year. Many legends
thrived to explain such sudden burst of talent. Some gave a
Dr Faustus like theory that he had made a pact with the
Devil. His rivals and common people disbelieved his
explanation of practice and hard work for his newfound
talent.

Rumors abound about how he made the deal with the Devil in
the Deep South. Johnson did not do much to dispel this
notion. Instead his songs like Crossroad Blues and Me And
The Devil Blues further stoked suspicion. The legend
strengthened even further by his death in 1938 at the age
of 27. Nothing is known about the cause of death, whether
it was poisoning, stabbing or the Devil claiming his soul.

Jimi Hendrix, another great guitarist, also died young at
28. He too became great in a short time. He is more well
known for his antics like playing solos behind his back,
with his teeth, setting his guitar on fire; than for his
superb guitar playing skills. He was a great and fantastic
musician better known for the wrong reasons.

Hendrix was an all-round musician, equally adept at blues,
rock and jazz. Believe it or not, he only had a bassist and
drummer in his live concerts. He was a great exponent of
playing guitar and very innovative as well. Being left
handed, he re strung his guitar upside down.

There are many stories about Hendrix. He acquired fame for
covering other bands songs in his concert. Sometimes he
performed his cover of a track live before the others were
able to do so. His rendering of Beatles 'Sergeant Pepper's
Lonely Hearts Club Band' being a case in point. He was
illiterate in musical notations, but would play any music
after listening to it just once. He was even approved of by
Miles Davis, music's hardest man to please.

The guitar player takes central stage in so many forms of
music that the guitar greats in most people's minds aren't
just rock or bluesmen. Jazz players like Django Rheinhardt,
classicists like John Williams, or flamenco guitarists like
Paco de Lucia feature on many lists. Is it any wonder no-one
can really agree?

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